The woman in black book susan hill
A classic ghost story: the chilling tale of a menacing specter haunting a small English town. Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. On a crisp Christmas eve, the elderly Arthur Kipps rests contentedly in front of a roaring fire, surrounded by his stepchildren and loving wife Esme.SEE VIDEO BY TOPIC: Learn English Through Story - Woman in Black Susan Hill
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The Woman in Black
A classic ghost story: the chilling tale of a menacing specter haunting a small English town. Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs.
Alice Drablow of Eel Marsh House. On a crisp Christmas eve, the elderly Arthur Kipps rests contentedly in front of a roaring fire, surrounded by his stepchildren and loving wife Esme.
It is only now, after so many years, that Arthur puts his pen to paper and tells the story that haunts him — the story that keeps him up at night shaking with terror, the reason for his distress this Christmas night. Arthur writes of a time, many years earlier when he was a young man, engaged to a lovely young woman, and only starting to make his way in the world as a solicitor. Assigned the task of sorting out the affairs of recently deceased client, the reclusive widow Alice Drablow, Arthur is sent to the small farming town of Crythin Gifford.
From the start of his trip, something seems off — every time he attempts to speak with townspeople about the deceased Mrs. Drablow, he is met with deflection, blank faced fear, or completely ignored. Frustrated but eager to do his job, Arthur dismisses the cryptic warnings of the townspeople as superstitious nonsense and makes his way to the desolate and secluded Eel Marsh House.
Situated on the marshes at the edge of the town, a place where sea and land are nigh indistinguishable, Eel Marsh House sits quietly, waiting for Arthur. Travel to the house is treacherous and can only be reached by pony and trap on the Nine Lives Causeway — a road that is completely submerged and impossible to traverse once the tide comes in each night. Despite the desolation of the home, despite the words of caution from the town, Arthur takes to the house and decides to stay there — no use making a cab come back and forth for him every day — until he has concluded his business.
And dear readers, it is perfect. An atmospheric ghost story of the gothic persuasion, The Woman in Black is spine-chilling, traditional horror at its best. I am so very glad I read this book. A slim volume at under pages, The Woman in Black packs quite the punch and is an exercise in restraint — part of the reason I personally feel that many horror novels fail is because of a desire to pack in as much possible descriptive language as possible, as well as a tendency towards unnecessary lengthy explanation.
And, like the best storytellers, this author knows when her tale is done, and that the most horrific and frightening things are best left stated sparsely as the end of the novel proves. There are no tawdry descriptions of cobwebbed halls or specters bathed in blood, wailing pathetically as they roam the halls of a haunted manor — rather, Ms.
The success of The Woman in Black hinges entirely on description — but instead of describing the spectacle of ghosts, Susan Hill focuses on description of setting.
I loved the palpable sense of hopelessness and isolation as Arthur recounts the still beauty — and malevolence — of the solid stone manor at the edge of the world.
What better place to lay a story of despair and hate, of unfulfilled vengeance and desire for death? For, even as the adroitly detailed setting is what makes the novel succeed, at its heart, The Woman in Black is a ghost story about a specter with unfinished business, and Arthur, our unfortunate narrator, the man who catches her attention.
As straightforward and traditional a tale as this is, it works. In terms of writing, I would be remiss if I did not mention Ms. Like Eel Marsh House, caught between land and sea, so too is narrator Arthur Kipps torn between an age of rationality and the Victorian superstitions and ghost stories of the past.
This struggle expertly characterizes Arthur and his narrative throughout, and it makes him more than just a talking head for a ghost story by humanizing his flawed, unfortunate character. Ultimately, The Woman In Black does exactly what it should — it creeps, it unsettles, it horrifies.
Absolutely recommended — and I am making Ana read it immediately. Yes, the trailer looks like it takes many liberties with the story — including a puzzling preoccupation with dolls? Thea James is half of the maniacal book review duo behind The Book Smugglers. By day, she does digital operations things over at Penguin Random House. Her Simon Serrailler detective novels are also great: the first one, The Various Haunts of Men , is especially stunning.
I went to see the film the other day and was very jumpy, i dont know how it has been classified as a 12a?!
So I […]. I have only just seen the movie, and I was glad to see they changed something where Susan Hill was, I fear, wrong. In the book it is made clear that Eelmarsh House has mains electricity, which would not have been the case before about in such a remote place.
I really love the book! The sense of mystery pervades throughout. I actually liked the movie better then the book! The woman was reunited with her son and Aurthor and his son reunited with his wife.
I think the woman did a good deed at the end of the movie! The woman was reunited with her son and Arthur and his son reunited with his wife. Why does the ghost open the nursery door when an unwelcome visitor is there? Does the filching of a half-burnt candle set her off? Why was the room trashed? How does half a cup of water remain un-evaporated for 60 years?
Notify me of follow-up comments by email. Notify me of new posts by email. This site uses Akismet to reduce spam. Learn how your comment data is processed. Review: On a crisp Christmas eve, the elderly Arthur Kipps rests contentedly in front of a roaring fire, surrounded by his stepchildren and loving wife Esme.
By Thea. Paige December 26, at pm Her Simon Serrailler detective novels are also great: the first one, The Various Haunts of Men , is especially stunning. Abbie February 16, at am I went to see the film the other day and was very jumpy, i dont know how it has been classified as a 12a?! Too Afraid To Read? Colin August 27, at am I have only just seen the movie, and I was glad to see they changed something where Susan Hill was, I fear, wrong.
Herobrine December 1, at am I really love the book! Anonymous January 24, at am jkglk. DS October 21, at am I actually liked the movie better then the book! Anonymous November 17, at pm LOL, movie was so funny. Follow booksmugglers on Instagram.
Susan Hill: haunted by the Woman in Black
The Woman in Black is a horror novel by Susan Hill , written in the style of a traditional Gothic novel. The plot concerns a mysterious spectre that haunts a small English town. A television film based on the story, also called The Woman in Black , was produced in , with a screenplay by Nigel Kneale. In , a theatrical film adaptation of the same name was released, starring Daniel Radcliffe. The book has also been adapted into a stage play by Stephen Mallatratt.
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The Woman in Black by Susan Hill
Susan Hill writes about curses and misfortunes, but her own career seemed charmed almost from the outset. How many authors get a novel accepted by a major publisher while they are still in high school? After this promising start, Hill enjoyed an extraordinary string of successes in her twenties and early thirties. That same year H ill was invited to become a Fellow of the Royal Society of Literature, the elite literary organization, founded by King George IV in , which has allowed most of the great British authors of the last two centuries, from Samuel Taylor Coleridge to J. Rowling to put the esteemed initials FRSL after their names. Such accolades outght to be sufficient for even a charmed literary life, but Hill saved her biggest success for middle age. But it has proven almost as successful in Mexico and Japan. The play has been translated into at least a dozen languages and put on stage in some forty countries. But the novel that started this cascade of success continues to find an enthusiastic audience—a significant portion of it the children and probably grandchildren of its first generation of readers.
Review: The Woman in Black by Susan Hill
There are undertakers with shovels, of course, a local official who would rather be anywhere else, and one Mr Arthur Kipps, solicitor from London. He is to spend the night in Eel Marsh House, the place where the old recluse died amidst a sinking swamp, a blinding fog and a baleful mystery about which the townsfolk refuse to speak. But when the high tide pens him in, what he finds — or rather what finds him — is something else entirely. Susan Hill.
Look Inside. The classic ghost story from the author of The Mist in the Mirror : a chilling tale about a menacing spectre haunting a small English town. Now a major motion picture starring Daniel Radcliffe. Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs.
But although the book has something in common with the pure gothic fiction of the 18th and 19th centuries, it is really only a distant cousin of the genre. It is a ghost story — not a horror story, not a thriller — and not a gothic novel; although the terms are often used very loosely, they are not by any means the same thing. I set out to write a ghost story in the classic 19th-century tradition, a full-length one. The list of ingredients included atmosphere, a ghost, a haunted house and other places, and weather. A footnote to "ghost" was a of a human being; and b with a purpose.
T his is a ghost story, so we start with the storyteller. Literary critics rarely use this last term, preferring to talk of the "narrator". But when it comes to hauntings this traditional description is fitting. Arthur Kipps is giving us a tale that he is condemned by his own memories to tell. When the novella opens, he is a man in late middle age, surrounded by adult stepchildren at Christmas. Naturally they begin to tell ghost stories: Christmas is the time for this, when the year is darkest and family or friends are gathered together to be entertained. For the classic ghost story is a performance. Some of the best ghost stories — The Turn of the Screw is the most famous example — begin with this situation: a person telling a story to a group of rapt listeners.
The Suffolk coast. The early Seventies. Behind the path giving onto the shingle beach and the North Sea, are marshes, mysterious places with narrow paths where reed-beds make a dry rustling sound in the low wind that moans across here.
The house stands at the end of a causeway, wreathed in fog and mystery, but it is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black and her terrible purpose. Hill is undeniably a talented writer. I read a short story collection of hers a while back and I had the same opinion as I have to this book — well written but not nearly spooky enough. But quite honestly, I will not be seeking out any other Hill books from here on out.